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Annie Leibovitz (American, b. 1949), Mikhail Baryshnikov and Rob Besserer, Cumberland Island, Georgia, 1990, chromogenic print, photograph © Annie Leibovitz, from Annie Leibovitz: A Photographer’s Life, 1990–2005
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FROM THE VERY BEGINNING
of her career,
Annie Leibovitz has redefined the modern celebrity
portrait, altering the way we think about the people
who populate our cultural landscape.
Annie Leibovitz: A Photographer’s Life, 1990–2005 includes more
than 200 photographs, encompassing well-known work made on editorial
assignment as
well as images of her family and close friends. “I don’t
have two lives,” Leibovitz says. “This is one life, and
the personal pictures and the assignment work are
all part of it.”
The exhibition features many of Leibovitz’s
best-known portraits of public figures, including
actors Jamie Foxx, Nicole Kidman, and Brad Pitt;
athletes preparing for the 1996 Olympic Games;
George W. Bush with members of his Cabinet at
the White House; and her famous images of Queen
Elizabeth II of England, Mikhail Baryshnikov, and
then-pregnant actress Demi Moore, one of the most
recognizable photographs of its time.
The show also highlights portraits of artists,
architects, and writers such as Richard Avedon,
Brice Marden, Philip Johnson, Cindy Sherman, and
Eudora Welty. Leibovitz’s assignment work includes
reportage from the siege of Sarajevo in the early 1990s,
the election of Hillary Clinton to the U.S. Senate, and
the aftermath of the September 11th attacks. The artist
has photographed landscapes from the American West,
the Jordanian desert, and the wilds of upstate New York,
and these are featured prominently.
At the heart of the exhibition, Leibovitz’s personal
photography documents intimate moments from her life,
including the birth and childhood of her three daughters,
as well as vacations, reunions and rites of passage with
her parents and extended family. A Photographer’s Life threads together the two sides of Leibovitz’s work both
chronologically and creatively, projecting a narrative
of the artist’s private world against the backdrop of her
public image as one of America’s best-known portrait
photographers.
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