- Visit
- Exhibitions
- On View
- Cynthia Connolly: Letters on Top of Buildings
- How Is the World? Recent Acquisitions of Contemporary Photography
- Roots and Links: Gifts from the Women’s Committee of the Corcoran Gallery of Art
- Modern and Contemporary Art Since 1945
- Selections from the Collection of Historic American Art
- American Bronzes from the Corcoran Gallery of Art
- Ideal Busts
- David Levinthal: War Games
- Upcoming
- NOW at the Corcoran
- Past Exhibitions
- NEXT at the Corcoran 2013
- Shooting Stars: Publicity Stills from Early Hollywood and Portraits by Andy Warhol
- Pump Me Up: D.C. Subculture of the 1980s
- From the Collection: Victor Burgin
- Taryn Simon: A Living Man Declared Dead and Other Chapters I-XVIII
- NOW at the Corcoran – Enoc Perez: Utopia
- Ivan Sigal: White Road
- On the Campaign Trail
- Archives
- On View
- Collection
- Programs & Events
- Educators & Students
- Youth & Family
- Support & Membership
- About the Corcoran



How Is the World? Recent Acquisitions of Contemporary Photography
March 9, 2013–May 26, 2013
March 9, 2013–May 26, 2013

Edward Burtynsky, Oxford Tire Pile #9ab, Westley, California, USA, 1999. Two color coupler (chromogenic) prints, 40 x 50 inches each. Corcoran Gallery of Art, Washington, D.C., museum purchase with funds provided by the Women's Committee of the Corcoran Gallery of Art, 2012.009a-b. Image courtesy of the artist, © Edward Burtynsky.
How Is the World? highlights a selection of photographs acquired by the Corcoran Gallery of Art over the past few years. The exhibition features works as varied as Paul Graham’s dramatic redefinition of street photography, Kate O’Donovan Cook’s unconventional self-portraiture, Edward Burtynsky’s striking depiction of the oil industry’s impact on the land, and Hank Willis Thomas’s exploration of the connections between spectacle and African American identity. Graham has said that he uses his camera to answer the question “How is the world?” Seen together, the works on view invite us to consider the wide-ranging issues addressed by photographers working today.




