Cabaret
Edgar-Germain-Hilaire Degas (French, 1834 -1917)
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Edgar Degas executed many paintings, drawings,and pastels of the café concert,
a popular French entertainment that featured women singing with an orchestra.
During the performance many women appeared on stage together, including seasoned
professionals and newcomers to the stage, some awaiting their turn to sing, others
simply hoping to attract the attention of the male patrons. The café concert
(like the ballet) drew the majority of its performers from the lower classes.
The entertainment was bawdy, the lyrics laced with suggestive humor and earthy
gestures. Degas’ contemporaries attended the café concert both for
the performance and in search of female companionship. Direct communication between
audience and performers was forbidden, so the women developed a complex system
of gestures and postures to indicate their intentions. A fan was held opened
or closed or the display of a bouquet assumed symbolic importance. An American
who had visited a Parisian café concert wrote in 1870, “The establishment
does not provide these [bouquets]—they are gifts of the admirers of the
artistes. A person wishing to make the acquaintance of one of these fair demoiselles
sends a bouquet with his card to her. If she appears with it on the stage she
thereby signifies her willingness to accept Monsieur’s attentions.” The
nightclub represented is the popular Les Ambassadeurs on the Champs-Elysées,
identified by the fluted columns by the stage. The conductor is possibly Charles
Malo, and the singer Victorine Demay, who appears in many of Degas’ works.
The artist barely individualized most of the performers, who are treated as
little more than generic types...
- Laura Coyle and Eric Denker, Curator of European Art and Curator of Prints and Drawings
Text excerpted from A Capital Collection: Masterworks from
the Corcoran Gallery of Art, which is available for purchase
in the Corcoran Shop. ::
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