Auvers-sur-Oise (Crow in the Wheat Field)
Robert Colescott (American, b. 1925)
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Is that who I think it is? I recognize the landscape, the three roads, one
of them disappearing into the blue horizon, the black birds hovering ominously.
Yes, this is the scene of Vincent Van Gogh’s Crows Over a Wheatfield, one
of the last works the artist painted before his suicide in the quaint French
town of Auvers-sur-Oise. Didn’t I once read that the stark masterpiece
reflected Van Gogh’s anguish in his final days, the crows representing
winged harbingers of death? This is definitely the same setting. But who is that
giant figure dominating the background, rising godlike in the gloaming? With
that intense stare, red beard, and bandaged ear, it can only be Van Gogh himself.
But this is the tormented genius as we’ve never seen him before: grinning,
leering, his toothy smile at once mocking and triumphant. . . .
- Jake Lamar, formerly associate editor Time magazine
Text excerpted from A Capital Collection: Masterworks from
the Corcoran Gallery of Art, which is available for purchase
in the Corcoran Shop. ::
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